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LE BRUN, Charles
Martyrdom of St John the Evangelist at Porta Latina g
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ID: 07826
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LE BRUN, Charles
French painter (b. 1619, Paris, d. 1690, Paris)
French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions Related Paintings of LE BRUN, Charles :. | The Resolution of Louis XIV to Make War on the Dutch Republic g | The Martyrdom of St John the Evangelist at the Porta Latina (mk08) | The Chancellor Seguier (mk05) | Entry of Alexander into Babylon h | Chancellor Seguier at the Entry of Louis XIV into Paris in 1660 | Related Artists: Dirck HalsDutch
1591-1656
Dirck Hals Galleries
Dirck Hals (born at Haarlem, 1591-1656) was a Dutch painter of festivals and ballroom scenes. He was influenced by his elder brother Frans Hals. Marie Caire TonoirNaturalist artist
France
1860-1934 Cornelis Claesz. van WieringenHe was the son of a Haarlem captain, and drew, painted and etched with his friends Hendrick Goltzius and Cornelis van Haarlem. He also held important positions in the Haarlem Guild of St. Luke, the painters guild, where he became a member in 1597.
He specialized in paintings depicting ships and sea battles, and received orders from the municipal councils of Haarlem and Amsterdam. He painted the most popular picture of the Damiate legend of Haarlem, showing how a Haarlem ship broke the protective chain at Damietta during the Fifth Crusade, resulting in an important victory over Islam. This painting was such a success that it was reordered in tapestry form, and both pieces are in the collection of the Frans Hals Museum.
The city of Haarlem archives still hold the original records of the 1629 order to Van Wieringen to make the tapestry, the largest made in the 17th century (10.75 meters long and 2.40 meters high). This tapestry still hangs on the wall of the Haarlem City Hall council meeting room known as the vroedschapskamer, where it was installed. It is on public display once a year on Monument Day.
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